Invisible first
The best effect is the one nobody notices. We judge every shot by whether the audience stays in the story.
An independent visual effects studio building worlds for film, streaming and commercials — with small, senior teams and one shared pipeline.
We are artists and engineers who believe the best effect is the one nobody notices. From a single sky replacement to a three-hundred-shot creature sequence, every frame gets the same obsessive care.
Founded by supervisors from feature-film pipelines, VFX Studio keeps teams small and senior. You speak directly to the people doing the work.
We work from first previs sketch to final graded delivery, on budgets that range from indie features to global campaigns.
See our work →Every bid, review and delivery is measured against the same simple principles.
The best effect is the one nobody notices. We judge every shot by whether the audience stays in the story.
You speak directly to the supervisors and leads doing the work — not an account layer in between.
Shot-by-shot bids, realistic schedules and early warnings when scope moves. No surprises at delivery.
Each discipline has its own lead, but every department works in the same pipeline — so assets, cameras and colour move between teams without loss.
Seamless integration of plates, CG and elements. Clean-up, keying, set extensions and invisible fixes that hold up on the biggest screen.
Hero creatures, vehicles and digital doubles — modelled, rigged, groomed and animated to perform alongside real actors.
Fire, water, smoke, destruction and magic. Physically grounded simulations art-directed down to the last particle.
Digital matte paintings and full 3D worlds — cityscapes, alien horizons and period recreations built for camera moves.
Real-time LED volume content, in-camera VFX and on-set tech support so directors see the final world while they shoot.
Plan complex sequences before the cameras roll, then lock edits faster with rough comps that show the story early.
Shaders, textures and lighting studies that define how every CG asset responds to light before it reaches a shot.
Paint, roto and prep that make every other department faster — rig removal, marker removal and pixel-accurate mattes.
Title sequences, screen graphics and in-world interfaces designed to feel native to the film they live in.
A clear, five-stage process with fixed review points, so you always know where every shot stands.
We read the script, bid every shot and agree budget and schedule up front.
Sequences are blocked in 3D so camera, lenses and timing are solved early.
Our supervisors capture HDRIs, lidar and reference so post runs smoothly.
Assets, FX and comps move through weekly dailies with your team.
Final EXRs in ACES, conformed and QC'd to studio and streamer specs.
Your editorial, colour and sound teams receive files they already know how to use. Our render farm scales to meet any deadline.
The lead you meet at the pitch is the lead in the room at final delivery.

Founder & VFX supervisor

Head of compositing

FX lead

Executive producer
Send us your script, storyboard or rough cut. We reply within one working day with questions or a first bid.