Signal Lost
Commercial — compositing & CG
Overview
How we approach motion graphics
Graphics inside a story have to obey the world they belong to. Screens, maps and interfaces are designed with the production designer so they feel like part of the set, not something added later.
We also design title sequences and campaign cut-downs, keeping typography and motion consistent from the film to every trailer and social format.
Capabilities
What the team covers
Typical deliverables
- Title sequences with textless versions
- Screen-replacement graphics
- Campaign assets in every delivery ratio
- 01Main and end title sequences
- 02Screen and UI graphics for set and post
- 03HUD and in-world interfaces
- 04Map, data and diagram animation
- 05Campaign and social cut-downs
Workflow
From first sketch to final pixel
Fixed review points at every stage, so you always know where each shot stands.
- 01
Breakdown
We read the script, bid every shot and agree budget and schedule up front.
- 02
Previs
Sequences are blocked in 3D so camera, lenses and timing are solved early.
- 03
On-set supervision
Our supervisors capture HDRIs, lidar and reference so post runs smoothly.
- 04
Build & comp
Assets, FX and comps move through weekly dailies with your team.
- 05
Delivery
Final EXRs in ACES, conformed and QC'd to studio and streamer specs.
Can graphics be played back live on set?
Yes. We prepare playback graphics for monitors on set, which saves screen-replacement work in post.
Start a project
Need motion graphics on your next show?
Send us your script, storyboard or rough cut. We reply within one working day with questions or a first bid.