How we approach previs & postvis
Previs is the cheapest place to make expensive decisions. We block sequences in 3D with real lens data so directors, DOPs and stunt teams can solve camera, timing and safety questions before anyone is on set.
After the shoot, postvis puts rough versions of VFX shots into the edit. Editors can cut with real timing instead of blue screen, and studios can preview the story long before final shots arrive.
Because previs and postvis live in the same pipeline as final VFX, cameras and layouts carry forward instead of being rebuilt.
What the team covers
- Previs QuickTimes cut to sequence
- Tech-vis diagrams and camera data
- Postvis temp shots delivered to editorial
- 01Sequence previs with real lens data
- 02Pitchvis for development
- 03Tech-vis for camera, crane and rig planning
- 04Postvis temp comps for editorial
- 05Stunt and action planning
- 06Animatics from storyboards
From first sketch to final pixel
Fixed review points at every stage, so you always know where each shot stands.
- 01
Breakdown
We read the script, bid every shot and agree budget and schedule up front.
- 02
Previs
Sequences are blocked in 3D so camera, lenses and timing are solved early.
- 03
On-set supervision
Our supervisors capture HDRIs, lidar and reference so post runs smoothly.
- 04
Build & comp
Assets, FX and comps move through weekly dailies with your team.
- 05
Delivery
Final EXRs in ACES, conformed and QC'd to studio and streamer specs.
When should previs start?
As soon as the sequence is scripted. The earlier camera and timing questions are answered, the cheaper the shoot becomes.
Can postvis be upgraded to final shots?
Often, yes. Postvis is built in the same pipeline, so cameras and layouts carry straight into final production.
Need previs & postvis on your next show?
Send us your script, storyboard or rough cut. We reply within one working day with questions or a first bid.