
Undertow
Streaming film — virtual production
Real-time LED volume content, in-camera VFX and on-set technical support, so directors see the final world while they shoot.
Virtual production moves decisions from post into prep. Environments have to be finished before the shoot, which means the art department, director of photography and VFX team agree on the world much earlier than usual.
We build optimised Unreal Engine environments for LED volumes, run virtual scouts so lenses and blocking are solved in advance, and supply operators on the day.
When a shot needs extra help in post — moiré, wall seams or extended set pieces — the same team handles it, so in-camera and post work match.
Fixed review points at every stage, so you always know where each shot stands.
We read the script, bid every shot and agree budget and schedule up front.
Sequences are blocked in 3D so camera, lenses and timing are solved early.
Our supervisors capture HDRIs, lidar and reference so post runs smoothly.
Assets, FX and comps move through weekly dailies with your team.
Final EXRs in ACES, conformed and QC'd to studio and streamer specs.
No. It works best for interactive lighting and contained locations. We will tell you honestly when a traditional shoot is the better choice.
We partner with your chosen stage and provide the content, operators and technical support.
Send us your script, storyboard or rough cut. We reply within one working day with questions or a first bid.