A bid is a promise, and promises should be specific. We bid every shot individually so producers can see where the budget goes and make informed trade-offs.
From script to shot list
We break the script or cut into sequences and shots, then list the tasks each shot needs: prep, tracking, CG, FX, environment, compositing. Each task gets an estimate in artist days.
Ranges, not guesses
Early bids carry ranges. As the edit locks and plates arrive, ranges tighten into fixed numbers.
A clear bid is the best creative tool a producer has. It shows exactly what each idea costs.
When things change
Edits move. When they do, we update the shot list, flag the cost and schedule impact, and wait for sign-off before work continues.
