I started dancing at six in a draughty church hall, and I still dance like the music might stop at any moment.
Trained in classical ballet at the Royal Academy syllabus and later in contemporary technique, I spent seven seasons as a soloist before going independent in 2021. Today I split my year between company guest roles, new choreography and teaching.
My work sits where classical precision meets a looser, more personal language — clean footwork, long arms, and room to breathe between counts.
Royal Academy of Dance syllabus to Advanced 2, followed by three years of full-time vocational training in classical and contemporary technique.
Seven seasons as a company soloist, with principal roles in Swan Lake, Giselle and Don Quixote, before going independent in 2021 to create new work and teach.
Odette, Myrtha, the Sugar Plum Fairy and Kitri. Full-length story ballets with companies across Australia and New Zealand.
Original solos and ensemble pieces built with choreographers who like to start from a single gesture and see where it goes.
Masterclasses, pointe preparation and one-to-one coaching for dancers preparing for auditions and competitions.
For guest roles, commissions, film work or coaching, send a short note with dates and location. I reply within two working days.
Emailhello@example.com
Call+1 (555) 555-555
Studio3290 Albert Street
Canberra 5311